October 9-13, 2025

October 9-13, 2025
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Staying Creative in Quarantine: Films and Resources You Can Reference

A large majority of the film industry has been put on hold because of COVID-19. Big budget blockbusters and indies alike have halted production as Hollywood establishes protocols that will allow casts and crew to return to work safely. That said, if there is anything that filmmakers are, it is both creative and resourceful. 

There are many things to look to as inspiration during these difficult times to keep your creative energy flowing and your filmmaking dreams alive. 

For those that are able, a page could be taken out of Sam Levinson’s book. The “Euphoria” creator shot a secret film during the pandemic with stars Zendaya and John David Washington entitled “Malcolm & Marie”. Compliant with guild and medical regulations, the cast and a “lean” crew travelled to Monterey, Calif., for a two-week quarantine prior to filming. Pods and strict regulations, including social distance guidelines, were then enforced during filming, which all took place at the Caterpillar House, an isolated 33-acre plot in Carmel. 

For those with budgetary constraints, an excellent example of using your limited resources to create something is Shudder’s terrifying new horror film, “Host.” Set entirely on Zoom, the film follows five friends who embark in a virtual seance during the real-life lockdown, and when one friend makes a dire error, things take a turn for the worst. 

Both of the above are perfect examples of how filmmakers can take advantage of a wide variety of resources to ensure films continue to get made during this difficult time. However, we also understand that these opportunities are still few and far between. Luckily, organizations within the industry have also put together resources, from funds to webinars, to continue to assist and inform filmmakers. 

Below are other resources that filmmakers can continue to check out during COVID-19:

  • Sundance Collab’s list of webinars, tips, and guides
  • Film Independent’s list of relief funds
  • Documentary.org’s coronavirus resources for documentary filmmakers
  • SAG Indie’s COVID-19 resources for filmmakers and actors
  • And for our local creatives, the Virginia Production Alliance’s resource list

Alumni Activity: Cory Reeder’s ‘Hyper Active’ Shines Light on ADHD

Cory Reeder, whose short film “Best Friend” played the 2017 edition of Washington West, has a new project that the filmmaker says is his most personal work yet.

“Hyper Active” is a short film that has Reeder turn the camera toward himself, revealing that he was recently diagnosed with ADHD (Attention Deficit Hyperactivity Disorder).

“My recent ADHD diagnosis was something that I didn’t see coming,” Reeder wrote to WWFF. “ADHD is only one of the many invisible disabilities millions of people cope with on a daily basis.

“Because of fear, shame and judgement, I almost quit the film three times. Now that the film is public, facing that fear has been my biggest reward. So many PWD friends have shown me support and many men have reached out privately to share their story or ask for help. I would have missed it all if I would have quit.”

Reeder’s film was created as part of the seventh annual Easterseals Disability Film Challenge, an event that he has taken part in six times before. The mission of Easterseals is to help create awareness for the equal representation of people with disabilities in media.

Easterseals took place earlier in July and made the participating films available for viewers as of July 25, which fittingly coincided with the 30th anniversary of the Americans with Disabilities Act.

You can watch “Hyper Active” below, through the official Eastersale YouTube channel, or on Facebook. Reeder also recently did an in-depth interview with The Hollywood Times.

 

What We’re Watching: Take Me to the Drive-In

Theaters are still closed, but if you’re missing the big screen, an old classic is still an option. Drive-in screens are making a comeback this summer as a safe alternative, and Northern Virginia is getting in on the action, from traditional outdoor screenings with socially distanced spacing to an authentic experience straight out of the ‘50s.

Let’s take a look at what you can watch and where you can find it this weekend.


Family Drive-In Theatre, Stephens City

Even before this year, the drive-in wasn’t gone in NoVA, it was just a short road trip away. The Family Drive-In Theatre in Stephens City, Va., is the real deal, having been in operation since 1956 and featuring two screens that play double features for single admission price.

Classic films have been the main stay as most new releases have been delayed, but this week will offer two NoVA big-screen debuts in the Andy Samberg and Cristin Miliota time-loop comedy “Palm Springs” and the horror film “Followed” on one screen, then a pair of ‘80s favorites — “Karate Kid” and “Labyrinth” — will play on the other.

For more information, visit thefamilydriveintheatre.com.


Movies at the Pfitz, Woodbridge

The Lake Ridge and Woodbridge Rotary Clubs are sponsoring a four-week schedule of drive-in movies at Pfitzner Stadium in Woodbridge that in addition to the movie will include food trucks.

Kicking things off on July 25 will be one of the original summer blockbuster classics, Steven Spielberg’s “Raiders of the Lost Ark.”

For more information, visit eventbrite.com.


Pull Up Drive-In Movie Experience, Springfield

How long has it been since you’ve been to the mall? While it’s not the shopping experience that most people go for, Springfield Mall is welcoming people to its parking lot to do as its event name says, pull up and enjoy a great movie.

Tickle your funny bone this week with an Eddie Murphy double feature, as “Coming to America” plays on Friday, July 24, and “Boomerang” will be the Saturday, July 25, show.

For more information, visit eventbrite.com.


Drive-In Movies at Workhouse Arts Center, Lorton

The Workhouse Arts Center is welcoming families to what it is calling its “socially distanced drive-in theater,” with vehicle limits (75) and parking in every other space.

But hopefully that aspect will be out of mind as you’re enjoying some family films, this week in the form of a pair of Jim Henson-inspired cult classics, “The Dark Crystal” on Friday and “Labyrinth” with David Bowie and Jennifer Connelly on Saturday.

For more information, visit workhousearts.org.


South Riding Movie Nights, South Riding

The summer movie night tradition in South Riding has adapted to a drive-in and is now taking place at the South Riding Town Center. They do stress that registration is required, as guests will be emailed entrance times.

These weekly offerings actually take place on Tuesdays through August, and this week’s film (July 28) will be a screening of the animated film “Ugly Dolls” from 2019.

For more information, visit southriding.net.


There are other drive-in events in the area that are taking place throughout the summer that may be sold out this week or not playing. This includes pop-up drive-ins at the Mosaic District, Capital One Center in Tysons (which is free but has a wait list) and more throughout the DMV.

If, like me, you’ve been wanting to cross a drive-in movie off your film bucket list, now is the time to do it.

“Life’s short. Talk fast.”

“Life’s short. Talk fast.” — Lauren Graham, Gilmore Girls.

This has to be one of my favorite quotes of all time. It’s one of the things that made me fall in love with Gilmore Girls when it premiered in 2000. I instantly felt a deep connection with Graham’s character—the infamous Lorelai Gilmore. Lorelai is quick-witted and funny but also caring and generous. Graham successfully took a scripted character and transformed her into a genuine and believable person, one with real-life problems and real-life ways of dealing with them. Ms. Graham demonstrated to me, an impressionable college student with dreams of working in the film industry, that it was possible to create a fictional yet believable character with honesty and heart, the true art of storytelling.

When I recently learned that Gilmore Girls was getting a reboot after almost a decade after its final episode aired, I was ecstatic. My life was complete! Or so I thought…

I am an intern with the Washington West Film Festival. So you can imagine what it was like when I, a true Gilmore Girls fanatic, found out that Lauren Graham would be at the festival IN PERSON answering fan questions and discussing her career; my life was made complete… AGAIN!

I am incredibly grateful for my time with Washington West, a festival that has not only shown me the power of storytelling, but has given me the ability to see it happen in real life.

So thank you, Washington West! Stories can and do change the world.

—

You may not be able to catch Lauren Graham at her sold out In Conversation event, but there are still tickets to see her moderate the In Conversation with Tony Hale. Get tickets before it’s too late!

Short Films Pack a Punch

It was none other than William Shakespeare who coined the phrase, “Brevity is the soul of wit.” Finding ways to deliver a message or a story in a more condensed timeframe is a challenge. In the case of film, it not only takes not just a special economy with words but also requires equal economy with imagery, scenes, and music.

What I like about short films as a category is that so much effort has been devoted to keeping the story brief that each moment carries that much more significance. It demands additional layers of creativity and discipline. It asks the director and the editor to leave some of their favorite scenes on the cutting room floor in order to maintain the richness of the concept “short.”

By definition of the Academy of Motion Picture Arts and Sciences, a short film must have a running time of no more than 40 minutes, including all credits. Short films therefore can’t waste time. The clock begins ticking the moment the first image appears. From there, to me at least, watching a film attempt to condense all the drama, humor, wit, and emotion of feature-length film is what makes them so unique, so captivating. Without time for complex character and plot development, they often ask the viewer to make leaps of imagination. This complex interaction with a film’s audience is why I have fallen in love with short films.

So, here are a few of my favorite features of short films. First, short films capture your attention immediately. This requires the filmmaker to set up the scene, characters, and overall story in a unique and easily digestible way. Filmmakers often must take incredibly complex stories and reduce them to the bare-bones components. Kahane Cooperman’s Joe’s Violin (a 2016 Academy Award-nominated film and 2016 Washington West Official Selection) is a great example of a film that achieved this.

This is an incredible story about a Holocaust survivor who donates his violin to a local instrument drive, helping to change the life of a school girl from one of the nation’s poorest areas. You are immediately captivated by Joseph’s story – a man who has unspeakable circumstances and tragedy and is ready to sacrifice his most cherished belongings to bring happiness and comfort to a young girl who couldn’t possibly recognize the significance of his act. What Joseph could never know is the profound impact his gift will have on the girl’s life, a complex concept that must be told within the confines of 40 minutes.

So, yes, shorts pack a punch. They also get personal in a hurry. Take Birthday, directed by Chris King, as an example. In just 11 minutes you enter the world of a wounded veteran and begin to experience all that he and his spouse facing in the difficult journey through recovery. The powerful and realistic depiction of this process sends you on an emotional roller coaster. It tugs at your heartstrings. You can’t even begin to imagine how you would handle this situation in real life and – just like a roller coaster – in just a few moments, it’s all done.

Finally, they take you in and out of so many worlds and stories, which is particularly helpful at a film festival. Maybe you have just five minutes or you have 25 minutes. With a short film you can dive into two or three different works in the span that typically would afford you just a single such experience.

If you get a chance to come to the Washington West Film Festival, you will find a wonderful array of shorts. Every year, our director of programming creates a variety of short film programs organized by general themes. The films in each grouping could include comedies, documentaries, narratives, or animations.

In 2016, my favorite short film program at Washington West was “The Theatrics of Love,” which explored the ways we experience and share our love. Whether we are watching a family trying to recreate the past in The Bathtub or a young man finding acceptance, purpose, and community in the subculture of “throwers” in Throw or one man’s capacity to care for all creatures in Pickle. You laugh. You cry. You think. And you imagine.

In 2017, the Washington West Film Festival will host several different shorts programs. You’ll see stories about adventure and stories about defying the odds in Surf & Turf and how we can always find the light in the darkest of places in Darkness & Light. You’ll follow alongside females from all different backgrounds making a difference in our world in Leading Ladies and experience high stakes situations in I Will Survive. Each of these programs will make you laugh, cry, and think. You can’t miss them.

My strong advice is not just to attend Washington West, but also to sample some shorts. I have two promises. One, you won’t be disappointed. Two, it won’t take long.

— 
Laura Moss, Director of Development
 Washington West Film Festival

Another Frank Marshall Film at Washington West

The Washington West Film Festival is honored to screen our third film produced by legendary filmmaker Frank Marshall this fall.

Frank Marshall has been a powerful and influential part of the film industry since the late 1960’s. During his time in the industry, Marshall has taken on the role of actor, producer, director, and comrade to many industry giants. Since his start in film, under the apprenticeship of Peter Bogdanovich, Marshall has worked with Walter Hill, Paul Greengrass, Martin Scorsese, and lifelong friend, Steven Spielberg. He also served as a co-founder, along with Spielberg, at Amblin Entertainment as well as founded his own studio, the Kennedy/Marshall Company, with his wife, Kathleen Kennedy. Today, Marshall still serves as president of the Kennedy/Marshall Company, while also holding a place on the board for multiple community and educational organizations. Washington West admires how Marshall uses his platform as a way to help the community and support non-profit organizations. Frank Marshall has become a historic and iconic staple in the film industry as well as a force for community betterment.

Frank Marshall got his start in the industry after a fateful meeting with acclaimed film director, Peter Bogdanovich. Under Bogdanovich’s guidance, Marshall steadily grew in the arena of film production before taking on roles such as executive producer, director, and production company co-founder.

In 1981, Frank Marshall, with—future wife–Kathleen Kennedy, and Steven Spielberg founded the legendary Amblin Entertainment. Amblin quickly became one of the most productive and successful production studios in history. Kennedy and Marshall went on to found their own production company, The Kennedy/Marshall Company, in 1991. Through the collaborative efforts of Amblin and Kennedy/Marshall, Frank Marshall has been nominated for five Oscars for Best Picture, for The Curious Case of Benjamin Button (2008), Seabiscuit (2003), The Sixth Sense (1999), The Color Purple (1985), and Raiders of the Lost Ark (1981). Frank Marshall’s drive to produce engaging and entertaining stories shines with each film he takes on.

Frank Marshall shows commitment to his work and his vision for every project. Early in his career as a producer, Marshall attempted to lift the spirits of his crew on a particularly hard day by personally performing a magic show. As “Dr. Fantasy,” Marshall brought joy and camaraderie to his crew members as well as showing a commitment to producing a quality experience. Since that day on set, Marshall’s Dr. Fantasy Magic Shows have become a tradition on every project he’s attached to. Frank Marshall has proven himself as an efficient, but also enjoyable presence on and off set—and his commitment to joy doesn’t stop there.

With the support of the Kennedy/Marshall Company, Frank Marshall has committed himself to community betterment organizations such as L.A. Promise (formerly MLA Partner Schools), California Governor’s Council on Physical Fitness & Sports, and Athletes For Hope. Marshall also serves on the UCLA Foundation Board of Governors and UCLA School of Theater, Film and Television. Marshall pays respects to his roots and is an active part of helping his community and his peers. Frank Marshall is a familiar name for us at Washington West given his commitment to use his career and success to help others.

Frank Marshall is a familiar name for us at Washington West, and we applaud his commitment to use his career and success to help others. In 2016, Marshall and alumni-director, Ryan Suffern, won Best Feature Documentary at Washington West and the team also premiered their short documentary, Running Blind, in 2013. This year, the mentor/mentee duo are premiering another haunting, but thought-provoking documentary titled, What Haunts Us. The documentary follows Paige Goldberg Tolmach as she delves into the mystery of the suicides that are plaguing her 1979 high school graduating class. Marshall and Suffern’s What Haunts Us will be the third film of the filmmakers to screen at Washington West. Additionally, Ryan Suffern is taking on the role of juror at this year’s festival. The duo are dynamic and authentic storytellers that seek truth and meaning through film.

Frank Marshall’s commitment to story and change is a familiar one to Washington West. Experience What Haunts Us at the festival and become a part of the story. Together, we believe story can change the world.

“I love stories that are of ordinary people in extraordinary times…”

– Frank Marshall

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